Narcissus garden an installation of hundreds of mirrored balls earned kusama notoriety at the 1966 venice. Avant garde japanese artist yayoi kusama was an influential figure in the postwar new york art scene staging provocative happenings and exhibiting works such as her infinity nets hallucinatory paintings of loops and dots and physical representations of the idea of infinity. Yayoi kusama s famous pumpkin sculptures have been described as alter egos of the colourful and obsessive artist and this palm sized version is a striking read more.
Yayoi kusama s signature pumpkins around town on your bag or keys with this petite pumpkin soft sculpture decorative keyring. Yayoi kusama pumpkin keyring. Narcissus garden an installation of hundreds of mirrored balls earned kusama notoriety at the 1966 venice.
Avant garde japanese artist yayoi kusama was an influential figure in the postwar new york art scene staging provocative happenings and exhibiting works such as her infinity nets hallucinatory paintings of loops and dots and physical representations of the idea of infinity. Narcissus garden an installation of hundreds of mirrored balls earned kusama notoriety at the 1966 venice. Avant garde japanese artist yayoi kusama was an influential figure in the postwar new york art scene staging provocative happenings and exhibiting works such as her infinity nets hallucinatory paintings of loops and dots and physical representations of the idea of infinity.
An important figure in the avant garde she has worked in a wide variety of media including painting collage soft sculpture performance art film and environmental installations. Yayoi kusama is a japanese artist and writer whose work is often instantly recognisable in its use of psychedelic colours repetition and pattern. Narcissus garden an installation of hundreds of mirrored balls earned kusama notoriety at the 1966 venice.
Avant garde japanese artist yayoi kusama was an influential figure in the postwar new york art scene staging provocative happenings and exhibiting works such as her infinity nets hallucinatory paintings of loops and dots and physical representations of the idea of infinity. In 1957 she went to the united states and began making net paintings and soft sculptures as well as organizing happenings and developing installations that made use of mirrors and lights establishing herself. From a young age yayoi kusama experienced visual and auditory hallucinations and began creating net and polka dot pattern pictures.